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After training at London's Royal Academy of Dramatic Art (RADA), he worked mainly in theatre throughout the 1990s and made notable stage appearances in Romeo and Juliet (1992), Don't Fool With Love (1993), Peer Gynt (1994), The Seagull (1995), The Homecoming (1997), and Henry V (1997).His performances in Amadeus at the Old Vic and Look Back in Anger at the National Theatre were nominated for Olivier Awards in 19, respectively.In 2003, he was nominated for a third Olivier Award for his performance in Caligula at the Donmar Warehouse.Sheen has become better known as a screen actor since the 2000s, in particular through his roles in various biopics.and fox-like instinct for the hunt and the kill." Sheen reprised the role of David Frost in 2008's Frost/Nixon, a film dramatisation of The Nixon Interviews of 1977.
He later said he was "grateful" for his parents' decision, as the chances of forging a professional football career were "so slim".
Ben Brantley, chief theatre critic for The New York Times, was particularly vocal in his praise. Sheen elicits a real poetry from the role" and felt that, while watching him, "you start to appreciate the derivation of the term star. " In 1999, Sheen explored the role of Jimmy Porter in the National Theatre's production of Look Back in Anger.
In 2003, Sheen described the production as "the most enjoyable thing I've ever done ... The Financial Times noted: "As Jimmy Porter, a role of staggering difficulty in every way, Michael Sheen gives surely the best performance London has yet seen from him ... This is a dazzlingly through-the-body performance." In 2003, Sheen appeared in Bright Young Things, the directorial debut of his Wilde co-star, Stephen Fry.
Sheen's breakthrough role was as British politician Tony Blair in 2003's The Deal.
The Channel 4 film explored the so-called Granita pact made by Tony Blair and Gordon Brown prior to the 1994 Labour Party leadership election, and was the actor's first collaboration with screenwriter Peter Morgan.
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An adaptation of Evelyn Waugh's novel, the film followed high society partygoers in decadent, pre-war London.