Preselection in dating
Earlier this week, Culvenor and Rossiter talked to Vulture about how tricky it was to cast people for the show, what actually happened between the dates, and how each dater chose who they wanted to see again.
Rossiter, who spend a decade as a producer on : We were speaking to Netflix very early on about what a dating show for 2019 would look like, and we knew we didn’t want to rehash all the reality-show tropes that’d been done for years and years.
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Basically every creator of a dating show had come to me to see if I was interested in their shows.
I’d say no, and I’d say no, and I was so sure of myself that I was right that I never wanted to do another one.
We’d put them on a desert island to win a million dollars, or we’d put them on fantasy dates in helicopters to see if they’d fall in love.
The other thing is that we asked our casting directors not just go to bars and nightclubs.
We went to bridge clubs, we went to libraries, we went to bookstores, we tried to go to places that weren’t necessarily top-level meat-market destinations. We, as individuals, are often on Tinder or an equivalent type of dating app, and we think we know what we’re looking for. He should be this tall, he should have this color skin, he should be more or less within this weight range, his job should allow me to think that he makes between this and this, he should live in this borough of New York City.
We wanted to offer up a diversity of the characters — different backgrounds, different ethnicities, gay, straight, a whole range of different people.
That allowed us to show the distinct differences between how people date, but also the universalities, too. I decided to leave three years ago, and I decided to never do another dating show.
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What we want now are ordinary people in ordinary circumstances.